![]() “It’s not something that I’m looking for- complicated, convoluted projects,” Andy Muschietti told me in an interview. After the hectic development of The Flash, they’ve achieved something similar, taking a property that seemed cursed and somehow delivering a breezy and charming film. A few years ago, they concluded a two-part adaptation of Stephen King’s It-a box-office sensation that somehow found a coherent narrative in the gleeful chaos of King’s 1,100-page, decades-spanning horror novel while also managing to be fun and zippy. Originally set for release in 2018, and attached to multiple directors during what became a lengthy production process, the project has evolved from hot ticket to hot potato, bedeviled by rewrites, the changing demands of DC’s cinematic universe, and a mountain of disturbing allegations against its lead actor.īut if The Flash nonetheless resonates with audiences, much of that will have to do with Andy and Barbara Muschietti, a brother-and-sister creative team (he directs she produces) who have some experience with troubled Hollywood productions. ![]() A solo picture has been in the works since 2014, when Ezra Miller was cast as the character. ![]() The Flash, DC Comics’ speedy superhero, has plenty of costumed enemies, but for many years, the speedster’s biggest nemeses have been the people trying to make his movie. ![]()
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